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Shine Main Visual
DIRECTOR'S VOICE

Shine

Jesse Weglein

"In the darkest of times, even the smallest light shines on."
「最も暗い時代であっても、どんなに小さな光でも輝き続ける」

Jesse Weglein
Jesse Weglein Director / Founder, ILLUMINAI Studios
USA ↓ Read Japanese Translation

1. The Creator & The Creation

Q1. Please introduce yourself and give us a brief "logline" (one-sentence summary) of your film.

In the darkest of times, even the smallest light shines on.

Q2. What was the specific "spark" or inspiration that led you to make this film?

Shine is inspired by my father’s early life growing up in 1950s New York City, raised by a single mother. The film explores the themes of faith and sharp juxtapositions of the era, placing Manhattan’s golden age of prosperity in stark contrast with the gritty, lower-income neighborhoods of the surrounding boroughs.

2. Theme: Peace and Innovation

Q3. JPIFF's vision is "The Greatest Honor is a Peaceful Smile." How does your film resonate with the theme of "Peace"?

At the heart of Shine is the resilience of the human spirit and our capacity to overcome adversity. Our protagonist, Shayne, undergoes an emotional journey spanning the full spectrum of the human experience. Grappling with his father's sudden loss, Shayne questions the tragedy's meaning and discovers the enduring legacy left behind by those we cherish most. Ultimately, Shayne’s faith is restored through subtle reminders of his father in the natural world, bringing him and his mother the inner peace they need to embrace a new day and carry on in the legacy of their family.

Shine Still 1
Q4. We deeply resonate with your mission at ILLUMINAI Studios to democratize film and protect artists. In fusing generative AI with highest-level cinematic artistry, what was your biggest challenge or most innovative approach in creating "Shine"?

The biggest challenge in creating Shine was ensuring that as a director my story always came across authentically to the audience while using technology that inherently lacks an understanding of the complexities of human emotions. When I founded ILLUMINAI Studios, I knew I wanted to incorporate the strengths of AI into a pipeline that has been proven for decades in animation. That wasn't an easy task to complete.

The challenge is that we are on the cutting edge of using AI as a creative tool that enhances the artist's vision while maintaining the integrity of our story and art direction. Those two objectives are not always easily kept mutually exclusive. AI is fundamentally a tool that assimilates, averages, and reproduces input with amazing ability. As a lifelong artist and filmmaker, it was essential for me to create internal ethical technology guardrails that protect the art and artists by ensuring the content we created was truly original. To challenge the traditional animation studio system, it was essential for me to completely re-think every assumption to utilize technology for laborious tasks while maintaining the human hand in the creation process every step of the way.

3. Connection with Japan

Q5. As an international film festival based in Tokyo (Haneda), we bridge Japan and the world. Do you have any influences from Japanese cinema, animation, art, or culture in your work?

My work is heavily influenced by the profound legacy of Japanese cinema and animation. From the breathtaking cinematography of Asakazu Nakai and the masterful direction of Akira Kurosawa, to the boundless imagination of Hayao Miyazaki and Katsuhiro Otomo, Japanese filmmaking has left an indelible mark on me as both a human being and an artist.

I was deeply honored to meet Miyazaki-san at Pixar during a screening of Ponyo. I will always remember his humility and quiet confidence as he described the artistic motivations behind his protagonists and antagonists. I channel his approach to story and character development every time I create my own films, recalling his wisdom with every pencil stroke and line of code.

My wife and producer, who was born and raised in Tokyo, brings her lifelong passion for anime and manga to our studio’s creative efforts every day. Having her as my partner further fuels my love for Japan, its culture, and its people. Knowing the bar has been set incredibly high by the masters who came before us, we truly hope to create entertainment that resonates deeply with audiences in Japan and around the world.

Q6. If your film is screened at our festival in Tokyo, what kind of experience or encounters are you most looking forward to in Japan?

It would be a profound honor to be welcomed into the Japanese filmmaking community and to connect with audiences in Tokyo, a city our family truly considers like a second home. Japan holds a legendary place at the intersection of animation and technology, a creative duality our studio actively embraces while still honoring traditional cinematic filmmaking. To screen our film Shine at the JPIFF would represent a crowning milestone for our studio and a deeply meaningful moment in our lives.

4. Message

Shine Still 2
Q7. What do you want the audience to feel after watching your film?

The two greatest audience reactions to a film are laughter and tears, the highest forms of human expression. I felt both profoundly while writing the script and shaping the animation. I see pieces of myself in these characters, sharing intimately in their joy and their pain. Ultimately, if audiences watch Shine and connect with something authentic, whether it moves them to tears, makes them miss a loved one, sparks a sense of gratitude, or inspires them to question an assumption, that would be the ultimate validation of our work.

Q8. A message to fellow filmmakers and animators who are fighting their own battles to create art in this rapidly changing technological landscape.

I recently had the opportunity to ask Pete Docter and Frank Oz their thoughts on AI and Directing. They poignantly said that any tool a director has that enables them to authentically share "their" vision with audiences should be embraced. I think the challenge with AI is knowing when to use it and understanding what is gained and lost as a result. AI has a built-in tendency to create what it thinks you want without the ability to evaluate quality.

As a director or animator, maintaining that level of human artistic control over the AI is essential. The infinitely complex critical eye of an artist is one of the most valuable assets for filmmakers to use to balance out AI in their pipeline. That innate, instinctual gut feeling about what works or doesn't is what I believe will separate this new generation of artists who will go on to make amazing films that bring their vision to life.

AI is a polarizing topic in the entertainment industry. Knowing that so many major studios are currently exploring or testing AI provides broader contextual awareness regarding its acceptance. Time will tell if it becomes a preferred tool for animation. My aim is to create stories that move audiences in a way that compels them to evaluate the film on its merits of story and characters and less on how it was made.

Official Trailer